My Best Images Of 2002
Arabesque I Condensation X Condensation IX Condensation XI Selva Obscura I Selva Obscura VI Selva Obscura III Selva Obscura VII Vortex I A Vortex I B Click each image for more information. View more of my best images here. ...
Arabesque I Condensation X Condensation IX Condensation XI Selva Obscura I Selva Obscura VI Selva Obscura III Selva Obscura VII Vortex I A Vortex I B Click each image for more information. View more of my best images here. ...
Sounding I Resonance In Blue & Gold I A Resonance In Blue & Gold I B Resonance In Red & Gold I A Resonance In Red & Gold I B Intermezzo II Condensation III Condensation IV Condensation II Correspondence VII A Correspondence VII B Oriental II Click each image for more information. View more of my best images here. ...
Wake I Inhalation IV A Inhalation IV C Fissure I Fissure II Glory I Emanation I Causeway II Condensation I Click each image for more information. View more of my best images here. ...
Oriens I Alignment I Alignment II Extension I Reflection I Reflection IV Reflection VII Reflection IV Correspondence XII Correspondence XII Click each image for more information. View more of my best images here. ...
Correspondence III Day Correspondence III Night Correspondence I Day Correspondence I Night Exhalation II Exhalation III Inhalation II C Inhalation I Lifeline Evesong I Burn For You Gaia Click each image for more information. View more of my best images here. ...
. These surfaces were created by nature; a portion of them is beyond me and beckons me to expand my sensibilities. Yet the surfaces in these pictures are not untouched. I have altered them; by inclusion and exclusion with the device of the picture frame, by further eliminations from and additions to what remains within the picture frame, by changing proportion, by creating rorschachs and placing their midpoints, by orchestrating hue, tint, value, and saturation. I find this a most curious collaboration with the hand of nature. . Every photograph or drawing is such a collaboration. Both modes of expression are subject to their unique processes. A photographer apprehends his subject (a process of recognition and capture); a painter intends his work (a process...